G-Dragon Explores His Identity at Brooklyn Stop of Act III, M.O.T.T.E Tour

 

YG Entertainment
G-Dragon onstage at Barclay’s Center on July 27, 2017.

After baring his soul on his eponymous EPKwon Ji Yong a few weeks before, the K-pop icon known as G-Dragon closed out the U.S leg of his 2017 Act III, M.O.T.T.Eworld tour with a stop at the Barclays Center in Brooklyn on Thursday night.

The BIGBANG frontman drew in a dedicated crowd to the New York City venue, with loyal fans, known collectively as V.I.Ps, setting the center aglow in the yellow light of crown-shaped lightsticks. The golden aura of the crowd blended with the predominantly red and black hues of the production, bathing G-Dragon in light as he attempted to reconcile his humanity and the charismatic persona that’s made him an icon of the Korean music industry.

The tension of the night was tangible as the artist struggled to reclaim his identity as Kwon Jiyong. The concert dramatically trisected his career into three parts: G-Dragon, G-Dragon vs. Kwon Jiyong, and Kwon Jiyong. There was a steady flow through the timeline of GD’s releases, beginning with songs from his Heartbreakeralbum and GD & TOP Vol. 1, a collab with another BIGBANG member, in the first part, tracks from One of a Kind and Coup d’Etat in the second, and the third portion of the night dedicated primarily to his latest EP.

The journey through the past was straightforward, with G-Dragon running through just about his entire solo discography in the two-hour concert, intertwining B-sides and singles seamlessly. As a performer, G-Dragon thrived during his less well-known tracks, with a haunting rendition of “Obsession” drawing on graveyard imagery and religious iconography, and “R.O.D,” a Coup d’Etat-era reggae-electro track fan favorite that incorporated CL as a featured artist via pre-recorded video. Meanwhile, his hit tracks, like “Crayon,” “One of a Kind” and “Who You?” had the whole audience singing along as the rapper, backed by a live band and a team of dancers, dominated the stage with his swaggering delivery.

The night’s theme of separating Kwon from his identity as G-Dragon came to the forefront toward the final third of M.O.T.T.E — which stands for “Moment of Truth; The End” — with a five-minute video of the singer expressing his concern over living his life as a caricature of himself. “I’ve been living as G-Dragon until now, but now I want to live being Kwon Jiyong,” he said. “I don’t know what you want me to be, but what you see right now is everything.”

The Kwon Jiyong portion of the night drew on his new EP, within which GD put himself forward not as a K-pop superstar, but as Kwon, the human being. But the segment was filled with clashes of identity: He cried for affection (“I need somebody, any goddamn body”) in “Superstar,” but was raised above the stage, sitting on a figurative throne far above the crowd. He wanted to remove the glitz, but appeared onstage wearing not one, but two bedazzled red jackets. Even after he removed the sparkly overcoats and came down to more earthly levels during the finale and interacted with fans in the pit, it wasn’t quite clear where the line was between G-Dragon and Kwon; the star’s shining aura couldn’t be diminished as he delivered a riotous, pyrotechnic-filled performances of “Middle Fingers-Up” and “B******t.”

When he returned to the stage for his encore decked out in a white robe that appeared to be covered in blood, it was G-Dragon’s flamboyancy on display, underlining the impossibility of separating his duality. The discord of G-Dragon’s final songs — “Crooked,” a rollicking pop track propelled by the live band, and “Untitled, 2014,” a mellow, vulnerable song backed by a single piano — similarly emphasized this. But as he commanded the stage for one last time, absorbing the cheers and applause of the crowd, it became very clear: As a musician who has been in the limelight for the majority of his life, separating the two parts of who he is wasn’t the intent of Act III. Rather, it was a public reveal for his fans, showing the humanity behind the extraordinary persona he’s built up.

“I was worried that you might not get me,” Kwon said, addressing the crowd during one of his final talking breaks of the night as the crowd roared with support for the soloist. “Since I started this tour, I felt you guys get me.”

Act III: M.O.T.T.E was introspection in a public venue and, surrounded by the fans that love him, G-Dragon used the night in an attempt to figure out what it means to be both a man and one of South Korea’s most celebrated stars.

Source: Billboard

Taeyang’s Interview for PyeongChang 2018

Sing a Song for PyeongChang 2018
The soprano JO Su-mi, whom the conductor Herbert von Karajan called “voice from above,” and K-pop artist Taeyang, who has many fans both in Korea and abroad, and is popular for his groovy dancing and singing, have become the latest honourable ambassadors for PyeongChang 2018. Although they are representative figures in different arenas of music—one in classic while the other in pop—they both said that sports and music are universal languages.

Snow, Music, and Sun (Taeyang)
Taeyang, a popular K-pop artist, was born in 1988, the year when the Olympic Games was held in Seoul. Babies born in that year are often called “Olympic kids,” and he is one of them. To be an honourable ambassador for PyeongChang 2018, which is 30 years from the Seoul Olympic Games, is special for him.

Congratulations on your being named as an honourable ambassador for PyeongChang 2018. You looked incredibly happy when you received the nameplate.
TAEYANG: This is the first nameplate I have ever had with my own name. I am so thrilled (laughs). From now on, I am going to give one to anyone I come across and call for their interest in PyeongChang 2018.

You were born in 1988 when the Olympic Games was held in Seoul, weren’t you? What does being an honourable ambassador mean to you?
TAEYANG: I am so excited to be a part of something that makes my heart go wild. I know how hard athletes have to train and fight to beat themselves. In addition, the Olympic Games is at the pinnacle of their career. I am truly honoured to be there with them, most especially because PyeongChang 2018 aims to become a cultural event. A song to promote the Olympic Games will be released on November. Have high hopes for the new song!

Do you have a favourite winter sport or athlete that you cheer for?
TAEYANG: I love watching short track speed skating and figure staking. The most recent figure staking event I watched was that in which Cha Jun-hwan played. I was impressed with how he kept his calm throughout the game despite his young age. I wish the aspiring young figure skater flourishes at PyeongChang 2018. I learned about curling from a TV show and found it interesting as the players in a team moved as one. I hope I could grab an opportunity to learn the game. Curling is also one of the Paralympic events, so I hope that more people would be interested in it.

Performing artists and athletes have something in common in that they work hard for a long time to stand on a stage
TAEYANG: Yes. I believe music and sports can go beyond borders. When I perform for foreign fans, they often sing with me in Korean lyrics. It is such a wonderful feeling. I feel as if I am doing something very important. I think playing sports is not very different. When I watch the athletes play as hard as they can, I come to think of me immersed in singing in front of the audience, regardless of how many they are or how well they respond to me. I will always think of myself as one the athletes whenever I stand before an international audience.

Source: PyeongChang 2018